
Premiere: Synth Pop Duo Gives 80s/90s Pop an Alt Rock, Dance Spin
With all the nuances Moxxy Jones incorporated into this track, it is easily considered an aggressive industrial, synth, rock, and disco explosion. It also mixes hip hop elements and different synth sounds from a variety of different genres and decades. This track is funkier at times than the other tracks on the album and once again displays the band’s broad palette.
Milan reflects on their process, “The track originally started years ago when I was trying to experiment with different early dubstep sounds to try and understand how those artists do what they do. Originally, the song had a very long dubstep intro that eventually dropped into what is now the main synth riff.


I even bought a Floyd Rose equipped guitar just for the solo so that I could do some aggressive dive bombs and achieve the sound in my head of the guitar solo tearing through the speakers. The overall sound turned out to be aggressive industrial style synths layered together with big 80s drums and electric guitar along with some modern R&B funk guitar parts. The vocals layered on top strike me as a very moody 90s riot grrl.” Frank added, “The ah-ha moments were seeing how the vocals fit into the song, and playing with the vocal harmonies in the studio. Working with Courtney was also so much fun, She’s got such a great sense of melody. As the narrative of ‘Sinking Into You’ is about infatuation – letting yourself completely go and falling for someone where you start to lose yourself and you don’t care – I felt that the many layers, tones, and dynamics of this track parallels the emotional journey of being in love.”
To achieve their vision and sound for ‘Sinking Into You,’ Moxxy Jones teamed up with GRAMMY®-recognized producer, Starita, a collaborator that isn’t foreign to pushing the envelope of sonic ranges and unique genre blending styles (recognized for his work with Childish Gambino, A Tribe Called Quest, Christian Scott aTunde Adjuah, Third Eye Blind, Madame Gandhi, Rebelution, Los Amigos Invisibles, Michael Franti and Spearhead). “This track was the genesis of working on the Moxxy Jones project although we had collaborated on previous projects Frank and Milan were involved in. This was our first approach to this juxtaposed sound of blending the raw with lushness. Milan sent over tracks as he does and we tossed drums and synth layers back and forth until we landed on this marriage of sounds. Like many of the songs, we created a harder, pulsating drive in the verses which leads to this very lush expansive chorus. Courtney’s vocals really bridged these two light and dark elements together nicely. This production is so full of ear candy and was so much fun to create. Milan is a super collector of boutique guitar pedals and amps, so we went deep into some experimental sounds going into the guitar solo. Yes, a guitar solo! You don’t hear that much these days so it was refreshing to harken back to the Siamese Dream days with a massively phased and distorted evolving soundscape of a solo.”
“This being the first song we started working on, it took some time to really dig into the sonic flavor of the project. Being that this began the exploration of Moxxy Jones as a persona and artist, this was where the hardest, real work had to be done. Being a producer isn’t only about music a lot of the time…it’s about people. It’s about people who are artists. These individuals have an unflinching need to express themselves; which is a huge task to guide because you have to be really clear on what the artist is trying to say and be able to translate that into a sonic soundscape that is the medium for their message. It’s a balancing act of being objective about something completely subjective…finding words for something that can’t be spoken easily. It can’t be taught. So that being said, we had to explore many directions listening to what the song was telling us. Sometimes what we did worked. There were times it didn’t, but where we ended up was a very special place. This is all a part of the process that we artists have to embrace,” Starita elaborates.
“After listening to this track, I hope that it inspires listeners to let themselves go and fall into what’s in front of them. Even if it’s not always for the best,” Milan states. “And although it feels familiar, I hope they feel like they heard something they hadn’t really heard before,” Frank concludes.
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